Computers have been standard equipment in post production for some years now. Not all have real time operation systems so that latency can be a problem. When synchronizing the major problem is not accuracy but repeatability, it does not matter if there is a one frame sync error provided that there is always a one frame sync error!
Recently I was asked to add phase compensation to the P2
MMC, Jun
Yamazaki who works with
Tac Systems (our Japanese agents) discovered that different
DAW's had a different offset error when synchronizing to
MTC. To measure offset Jun recorded
timecode and looked at the recorded waveform, Jun is a
timecode geek like me but this is not a suitable method for everyone!
I asked Chris Braclik (I worked with Chris when at Audio Kinetics) from
Soundtrack Productions to make 3 stereo
WAV files, each has one track with continuous
timecode at 24, 25 or 29,97fps, starting at 00:59:55:00 and ending at 01:01:05:00. The other track has 1KHz bursts one frame long, once per second stating at 01:00:00:00 and ending at 01:01:00:00. The bursts are positioned exactly at the start of each second.
You can use these files to check the
timecode latency and more importantly the repeatability of both record and replay.
I checked the Record on a Sadie system, there was a consistent 1/5 of a frame error when locking to
LTC , I have not checked the playback yet.
I will publish a chart of your results if if
receive enough information-
DAW, Platform, and Results.
Click here to download the test files